AIZANOIE 
          
     Sacred city of the Roman Empire
                                     Roma İmparatorluğu'nun kutsal kenti

                                          Skylife-by Nermin Bayçın Photos Servet Dilber

                                    aizanoi2.jpg (26932 bytes)

In the centre of the plains on a high plateu in western Turkey stands  a temple. Few visitors find their way here except those  drawn by  the  knowledge  that no other  temple   in  Anatolia is  in  such  a  remarkable state of   preservation. Another  fascinating   feature of the  tern-pie is the inscriptions on  the  walls
which tell the building’s story. 
In one of these inscriptions it writes, ‘(I) Avidius Quietus,  greet the senators, city councillors and the 
citizens of Aizanoi.
Contention  lasting  many years over the holy lands dedicated so  along ago   to  Zeus  was  finally  brought  to  an  end   by  the  authoritative  judgment of his majesty the Emperor.

The temple stands in Aizanoi, once a city of the Roman province of Asia Minor, 
in the former land of Phrygia. It lies near the town of Çavdarhisar, 57 kilometres 
from Kütahya. At that time Quietus was the provincial governor, and the emperor 
of whom he speaks was Hadrian (117-138), a man with a  deep  admiration   for 
Hellenic culture. Although Hadrian never visited Aizanoi, he held this holy city in special regard. Aizanoi began life as a modest provincial town, and   became 
increasingly wealthy from its exports of grain, wool and wine. 

                                 aizanoi3.jpg (18211 bytes)

The time had come for it to trumpet its fortunes, and it was decided to begin by building a temple dedicated to   Zeus.  However,  a  long-standing  dispute  over ownership of the land earmarked for the site presented a serious obstruction. The boundaries of the temple lands were unclear, and those who worked them refused to pay the rents or taxes to which they were subject. 
Hadrian settled the dispute, and copies of  the  letters  which  were   of  such significance for the city werelater inscribed on the temple walls. 
As befitted a structure dedicated to Zeus, god of  gods,  and  in   accordance
with Hadrian’s penchant for Hellenic  art  and  architecture,   the  temple  was constructed of marble, and  in  a   style  incorporating  many features  of   the Graeco-Anatolian architecture.  lending  it  a  Roman   neo-classical  character. Furthermore it was built upon a barrel vaulted substructure.
For what purpose this area,  with  its  impressiveand  mystic   atmosphere,  was
used is an interesting question.

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